Best Before - A Dsico Fanzine
"Best before - A Dsico Fanzine" is both:
a critical examination but also a playful homage to disco music and culture.
Our network of designers, illustrators, musicians, and writers has joined forces to rank this publication on top of your wishlist.
Presented by Upitup Records:
Scroll down and fly through the futuristic past of dance music!
Fanzine Preview
The zine has been screenprinted by hand and is accompanied by a disco-map inlay. it will be shipped in a polypropylene comic bag.
It's strictly limited to 250 pieces, and has sold out now, sorry! But we'll prepare a pdf version for all latecomers…
Meanwhile, you can enter the mailing list to stay tuned for our next publication.
Disco Mixes
Discjockey | Mix Download (mp3) |
---|---|
SoulPhiction (aka Jackmate) | ClassicCutz Part I
|
Konrad Kuhn | I did it like i walk my dog
|
Manuel Bürger | Boom Boom Box
|
Jonas Natterer | DJ Profi Mix
|
Top 69
We sorted them chronologically, determined their most significant elements, analized their tempo (BPM), and guessed the tonal key - all to find musical similarities / differences.
As a conclusion, Tracky made a track with all the average values of the below songs (bpm, key, elements etc.) to create the ultimate Uberdisco track! Mwahaha!
If you find any broken links, please report them to info@dsico-fanzine.com.
Average BPM:
- 116,64
Top featured Elements:
- 59% Synthesizer
- 40% Claps
- 40% Funky Guitar
- 31% Strings
- 21% Choir
- 21% Trumpet/Sax/Horn
- 19% Octave Shifted Bass
- 19% Latin Percussion
Top Disco Nations:
- 51% USA
- 13% UK
- 9% Italy
- 5% Germany
- 5% France
- 17% Others
Average Year of Release:
- 1984
The Disco City:
Average Key:
- 16% C minor
- 10% E minor
- 9% C# minor
- 9% D minor
- 56% Others
Lead Vocal:
- 53% Male
- 45% Female
- 2% Chipmunk
Title | Artist | Label | Year | Origin | Disco Genre | Description | Lyrics | Significant Elements | BPM | KEY | M/F Lead Vocal |
---|---|---|---|---|---|---|---|---|---|---|---|
Theme From Shaft | Isaac Hayes | Stax | 1971 | ME | Theme Disco | Funky theme soul with average Disco tempo and a sleezy blaxploitation porn atmosphere. Hayes' sound was too soft for the 60s, his success came in the 70s. | "Who's the black private dick that's a sex machine to all the chicks?" | Wahwah-guitar, falsetto choir, Love Boat strings, tambourine | 117 | Gm | M |
Soul Makossa | Manu Dibango | Atlantic | 1972 | PA | Afro Disco | Many consider it the first Disco song. Deep male rap voice and driving Afro-Funk horns & breaks.The complex rhythm requires excellent dancing skills. | "Mamma-So-Mamma-Sa-Mamma-Makko-Sa" | Sax/horn section, funky guitar, 1/16 hihat, cowbell | 117 | Gm | M |
Pepper Box | The Peppers | Spark | 1973 | Uk | Shaggadelic | A great bit of Moog-y madness! Initially a jingle for TV, "Pepper Box" inspired many Disco musicians... | "Ba-ba-badap Ba-ba badda-dah" | Claps, synth, bg choir, clavichord | 105 | F# | - |
Love Is The Message (Tom Moulton Mix) | MFSB | Philadelphia Int. Records | 1973 | Philly | Disco-Step | One of the early "Club"-hits. This simple groove makes you wanna dance. Nice one. | - | Sax, organ, some strings, groovey drums | 115 | Cm | - |
Love, Let Love And Be Loved! | Tony Fox | Blaster | 1974 | ? | Disco-Soul | Passionate love lyrics suppported by orchestral set up, kitschy sound. Ideal for a roller skate polonaise at Soul Train! | "In the backseat of my car" | Bass w/ octave shifts, horn section, clean guitar, shaker, piano, synth organ, male vocals, female choir | 116 | D/Em | M |
Autobahn | Kraftwerk | Philips | 1974 | DD | Kraftwerk | Important because it marks the beginning of synthesizer music which strongly influenced Disco. Artificial but warm sound, metronomic tempo, repetitive lyrics.. | "Die Fahrbahn ist ein graues Band, weisse Streifen, gruener Rand" | Spherical layers of analog synth, monotonic male vocals, vocoder, snare & hihat made from white noise | 85 | F | M |
Let The Drums Speak | Fatback Band | Polydor | 1975 | NY | Horny Hymn | Horns play a catchy tune; structure rather minimal - appears quite contemporary. | "Let the drums speak" | Horn lead, fat shuffle drums with partly open hihats, congas, raps | 107 | G | M |
I Wouldn´t Change A Thing | Coke Escovedo | Mercury | 1976 | SF | B-Boy Disco | Hedonistic "Je Ne Regrette Rien" lyrics that encourage the people to waste their time on the dancefloor, warm atmosphere. | "I wouldn´t change a thing, If I had to live my life all over" | Crispy breakbeat drums, clean guitar, saxophone, choir | 117 | G#m | M |
Pazuzu (The Original from 1976) | Tony Sylvester | Skylax 2007 | 1976 | NY | Explicit Disco | Uhhh Ahhh. This drippy underground Disco tune was probably used in tons of porns. Galloping beat - vulcano style. Harry fucks Sally... | "Uhhhhhhh ahhhhhh ya" | 1/16 hihats, 4TTF bassdrum, percussion gallop, strings, female moaning | 113 | Cm | F |
I Was Born This Way | Carl Bean | Motown | 1977 | LA | Gay Disco | Exaggeratedly orchestrated Phillysoul sound with gaypride lyrics. Disco as a cultural liberation! I'm OK, you're OK... | "I'm walking through life in nature's disguise" - "I´m happy, I´m carefree and I´m gay" | Galloping hihat, bass w/ octave shifts, harp, piano, strings, some wah-guitar, male vocals, female backup | 118 | C/G# | M |
Yes Sir, I Can Boogie | Baccara | RCA | 1977 | Spain | Housewife Disco | This song is the perfect example for all Housewife Disco songs in the 70s. Flat iron sytle. Think of ABBA, Boney M... | "I'm a sensation you try me once you'll beg for more" | Cheesy strings, clavichord, xylophone highlights, open hihat | 121 | D | F |
I Feel Love | Donna Summer | Casablanca Records | 1977 | MU | Electronic Disco | Introducing Quaaludes, the disco drug: futuristic, ecstastic, glamorous, electronic Disco... Considered a milestone by synth-pioneer Giorgio Moroder. | "Ooh I feel love, I feel love" | Arpeggio synth, drum machine, long drawn-out female vocals | 130 | C/m | F |
It's Good For The Soul (W.Gibbons Madness Mix) | Salsoul Orchestra | Salsoul Records | 1978 | NY | Tribal Disco | Sounds like the crazy ritual of some aboriginal Disco tribe. The flutes could be the herold of frenzy. They could also be balsam - for your soul. | "It's - good - for - the - soul -- I - love - you!" | Claps, latin percussion, galloping hihats, flutes, chanting | 124 | Dm | F |
Game | Rick Van der Linden | Spiegelei | 1978 | Haarlem, NL | Euro Synth Disco | Novelty slow Euro Disco! Incredibly funky and visionary. Produced solely on a Yamaha GX-1 synthesizer. | - | 104 | |||
Miss You | Rolling Stones | EMI | 1978 | LO | Disco-Rock | Nice example how Disco influenced Rock, even though the two genres were always conflictive. Initially this song was faster, but then recorded with slower tempo (probably not to sound too Disco..) | "I've been holding out so long, I've been sleeping all alone, Lord I miss you" | Straight drums, party open hihat, Disco bass w/ octave shifts, contained guitar, organ, harmonica, catchy chorus | 110 | Am/Dm | M |
Ring My Bell | Anita Ward | T.K. Disco | 1979 | ME | Disco-Soul | Catchy sing hook that makes this song an all-time Robinson Club anthem. Turn on the lighting console! | "Well lay back and relax while I put away the dishes. Then you and me can rock a bell" | Straight drums, infamous Disco Toms, claps, slap bass with octave shifts, funky guitar, choir | 126 | Cm | F |
Lady Bug | Bumblebee Unlimited | RCA | 1979 | NY | Chipmunk Disco | Cute chipmunk voices over a funky groove, a Larry Levan Classic with great piano chords. Novel production aesthetics; sober and tightly arranged. | "Love you and kiss you and kiss you and hug you" | Straight beat, latin percussion, piano, funky bass with octave shifts, pitched-up sound | 119 | Bbm | C |
Good Times | Chic | Atlantic | 1979 | NY | Disco Disco | Probably the most famous bassline ever; Sugarhill Gang just appropriated the instrumental - "Good Times" helped to boot up Hip Hop. | "Must put an end to this stress and strife, I think I want to live the sporting life" | Funky bass, epic Disco-guitar, piano, strings, staccato choir | 113 | Em/A | F |
Ain't No Stoppin Us Now | Risco Connection | Black Rose Music | 1979 | ? | After Hour Disco | This Loft classic is a great after-hour tune due to its reggae/dub elements. The original by McFadden & Whitehead is supposed to be a gay pride anthem. | "Don't you let nothing, nothing. Nothing stand in your way" | Reggae drums (rimshot-snare), filtered synth pads, warm bassline, wah-guitar w/ reverb | 113 | G#m | M |
Greatest Dancer | Sister Sledge | Atlantic | 1979 | NY | D-I-S-C-O | Mainstream hit with glamourus "King of the Discotheque" as motif. Similar feeling as Saturday Night Fever songs because it glorifies Disco stardom. | "The champion of dance his moves will put you in a trance" | Funky guitar, 1/16 hihat, detuned organ, strings w/ vibrato | 116 | Cm | F |
NO G.D.M. | Gina X | Emi | 1979 | CO | Disco-Wave | Slow Disco groove, also considered gay anthem. Futuristic synth sound makes it "wavy". | "That's life - one dive." | Synth bass, FX & pads, vocoder, non-melodical "Wave" style singing, cowbell | 110 | Cm | F |
Don't stop 'Til You Get Enough | Michael Jackson | Epic | 1979 | LA | Glitter Disco | Glitter & glamour feeling! Michael Jackson appears multiplied in both music video and song (main and bg vocals). | "Just love me 'til you don't know how - ooh" | Exotic percussion, claps, shaker, glamourus strings, falsetto doubled, horns, organ, clean guitar | 119 | Am/Bm | M |
Dancer | Gino Soccio | WEA | 1979 | Canada | Euro-ish Disco | This repetitive groove builds up trance, out of space feeling thanks to delay effects. Very catchy indeed. | "Dancer Dancer Dancer - got to take it higher." | Claps, synth & slap bass w/ octave shifts, funk guitar, piano, Wavy choir | 122 | Em | F |
Give Me Your Love | Sylvia Striplin | Uno Melodic Records | 1980 | NY | Roller Disco | Typical hand-in-hand Roller Disco groove; delivers a warm and soulful atmosphere (soft voice). | "Do you want me?" | Funky drum accents, claps, warm bass w/ octave shifts, clavichord, female vocals & choir | 110 | G# M | F |
Bostich | Yello | Do It Records | 1980 | Zürich, CH | Dark Disco | Classic Disco elements translated into the artificial aesthetics of synth and drum machine music (Electro). | "Standing at the machine every day for all my life" | Real drums / percussion, minimal synth bass & strings, monotonous rap | 121 | Dm | M |
Is It All Over My Face | Loose Joints | West End | 1980 | NY | West End Disco | Reduce to the Max! Legendary "laid back but ultra danceable" Disco classic with nice organ and catchy bassline. | "I'm in love - dancing!" | Bright organ, bass w/ octave shifts, clean guitar, catchy female vocals, congas | 121 | Bm | M/F |
Fantastic Voyage | Lakeside | RCA | 1980 | LA | Disco-Funk | Proto P-Funk with cranky bassline and Disco-raps. Venice Beach hit! Catchy hook and cheesy 80s r&b background vocals. Coolio made a cover version. | "Hurry up pack your bags and jam y'all, come on and ride on the funk now" | Synth & slap bass, Disco guitar, claps, lead vocals & falsetto male choir | 116 | Em | M |
Margherita (Hot Edit) | Margueritas | BMG | 1980 | Italy | Mariachi Disco | Simple azzurro meldoy and full pumping beats. Warning: very catchy! Sangria style. | - | Synth bass & lead, Mexican style trumpets, artificial claps | 116 | Gm | - |
Ma Quale Idea | Pino D'Angio | Bellaphone | 1980 | Italy | Macho Disco | Italian mainstream Disco, a beautiful cliché. Pino D'Angio used to perform it with a lit cigarette in his hand. | "Balla!" | Disco guitar, funky bass, piano, claps, Disco tom, raps & falsetto mail choir | 115 | G#m | M |
Shack Up | A Certain Ratio | Factory | 1981 | MA | No Wave | Bringing dance music to Manchester. "Shack Up" manages to be one of Punk's funkiest ever dancefloor material. | "Shack Up!" | Disco guitar, funky bassline, Wavey vocals, trumpets | 123 | Em | M |
She Can't Love You | Chemise | Emergency Records | 1981 | LA | Cutie Disco | One of the sweetest adventures of Discomusic. Plastic 80s sound - yet warm. Light and sterile - less organic. | "She can't love you like I could" | Synth bass, open hihat, synth vibes & pizzicato strings, female vocals | 114 | Bm | F |
Get A Little | Patrick Cowley | Unidisc | 1981 | SF | Hi-NRG | An underground Frisco Disco track, almost Hi-NRG, with overriding female lead vocal - only for club use. | "I wanna show you what I got for you!" | Disco beat, synth bass w/ octave shifts, female choir, cowbell, shaker | 120 | Em | F |
Genius Of Love | Tom Tom Club | Island Records | 1981 | Carib. Island | Island Disco | Naive summer sound, reminds you of that girl you had icecream with in 5th grade. | "Whatcha gonna do when you get outta jail? I'm gonna have some fun." | Slow beat, Disco guitar, signature synth lead, dub effects, childish female raps & singing | 103 | G | F |
First True Love Affair | Jimmy Ross | BCM Records | 1981 | NY | Peaktime Disco | Dancefloor puller: This one is strictly for the ladys - romantic lyrics, sing-long hook. 2 years too late? | "I never let you go!" | Synth / real bass, claps, funky guitar, male choir, lead synth | 118 | F/Am | M |
I.O.U | Freeez | Arthur Baker | 1982 | Uk / Usa | BMX Disco | Preset-Party! Music for BMX kids. One of the greatest hits at Funhouse (NY). | "That's how I feel, I want it to be real" | Synth bass, drum machine & claps, female vocals, bells | 119 | Dm | M |
Heavy Vibes | Montana Sextett | Unidisc | 1982 | PH | Disco Fox | The warm groove & jazzy instruments make this one an excellent home-listening Disco track. Catchy vibraphone replaces lead vocals. | - | Latin percussion, claps, simple bass, warm organ, vibes | 114 | Cm/G# | - |
Unlimited Capacity For Love | Grace Jones | UMG Recordings | 1982 | NY | Fridge | Warmness meets coolness - an out of space experience. Industrial & Wave assosiation | "This could turn out another unwinning war" | Synth (arpeggio / strings), female voice, chorus guitar, synth solo | 115 | Am | F |
Forget Me Nots | Patrice Rushen | Elektra | 1982 | LA | Will Smisco | 70s meet 80s! Disco out of the construction kit. Great Saxophone peak... | "Was it the simple things that made me so crazy about you?" | Slap bass, bright strings, double-claps, sax, e-piano, female choir | 115 | F#m | F |
Rock the Casbah | The Clash | Epic | 1982 | LO | Leftfield Disco | Did Punk only survive by Disco? To illustrate this assumption this track is just perfect. | "By order of the prophet - we ban that boogie sound." | Honkeytonk piano, distorted guitar, bongos, double-claps, rock voice | 128 | Dm | M |
A Debris of a Murder | Throbbing Gristle | Power Focus | 1982 | LO | Darkroom Dub | Slow, drugged and dubbed out minimalistic Disco. | - | 102 | Atonal | ||
The Dark Side Of The Spoon (Original Mix) | Alexander Robotnick | Creme Org. | 1982 | Firenze, Italy | Prototype House | Ultra deep & synthetic Disco House - way ahead of it's time... | - | Synth only, double-claps, arpeggiator, sound layers, 4TTF bd | 128 | C#m / G#m | - |
Money's Too Tight To Mention | Valentine Brothers | Bridge Records | 1982 | ? | Electronic Disco-Soul | Slow modern Electro-Soul track, good for ü30 Parties. Vocals remind of Bobby Womack. | "My rent is due, my kids all need brand new shoes..." | Cheesy synth bassline, sax, piano, double-claps, male vocals | 109 | Bm | M |
Voice Of Q | "Q" | Philly World | 1982 | ? | Cold War Disco | Who is Q? A crooked computer oracle? This is not happy nor melancholic, a state of isolation and wrong ideas of human/machine interaction. | "Feel the gravity - move to another reality" | Slap Bass, double-clap, spooky pads, synth-flute, vocoder voice | 116 | Cm/G# | M |
Burning Up (12" Version) | Madonna | Sire | 1983 | NY | Steroid Disco | Turbofast workout pop to flex a muscle! Without a doubt Madonna's best Disco track... | "You're always closing your door, well, that only makes me want you more." | Double-claps, synth bass, drum machine, e-guitar riffs, female vocals | 139 | Bbm | F |
Save Our Love (instr.) | Escape From New York | Profile | 1983 | ? | Vernissage Disco | Imagine a high society party in the 80s with sparkling surroundings... | - | Slow simple drums, funky bassline, synth pads & layers, claps, echo FX | 106 | Fm | - |
Another Man | Barbara Mason | West End | 1983 | PH | Slow Disco | Slow Paradise Garage hit with lament rap about misbehaving men. Perfect for your car radio. | "Another man is beating my time" | Synth layers & bass, 1/16 hihat, artificial cowbell, female talking | 113 | Em | F |
Chicago | Roy Ayers | Uno Melodic Records | 1983 | NY | Deep Disco | Ron Ayers's "Chicago" is a minimal, deep jazzfunk groove with simple & repititious lyrics. Early Deep House?! | "Chicago Chicago - Uuh" | Slap bass, steady strings, bright organ, funk guitar, double-claps, singing/talking | 115 | Fm/Em | M |
Lucky | Ellie Hope | RFC | 1983 | ? | Secretary Disco | Secretaries listen to this while getting dressed in the mornings. Style: No calories. Cola Light (Diet Coke) | "L. U. C. K. Y. - let me tell you why" | Simple beat, cowbell, light synth pads & melodies, female voice | 116 | Bbm | F |
Plastic Doll | Dharma | ZYX | 1983 | Italy | Italo Disco I | Is it a real doll? Worst vocals ever - Italo Disco at it's best. The "remixed instrumental" version might please you better. | "Am I crazy or just lazy. What is for me true reality?" | Open HiHats, female vocals, claps, synth bassline & melodies | 120 | Bm | F |
Let No Man Put Asunder | First Choice | Salsoul Records | 1983 | PH | Prototype Vocal House | This one became a prototype Vocal House track with female vocals and stomping beats. | „It’s not over don’t want to be free“ | Female vocals / choir, strings, congas & bongos, claps & snaps | 119 | C#m | F |
Woodpeckers From Space | Video Kids | Polydor | 1984 | NL | Woodpecker Disco | Woody visited the earthlings and brought his Casio keyboard. Cheesy & charming. | "Listen everybody to the woodpecker Boogie - come on let's have some fun." | Synth bass & lead, sample triggering, male voice / female choir | 113 | Am | M |
I Want To Thank You | Alicia Myers | MCA | 1984 | Detroit | Religious / Other | A modern Soul track in Disco disguise with Gospel lyrics. | "I wanna thank you heavenly father" | Piano, 4TTF bassdrum, female vocals, warm bass | 107 | Am | F |
Primavera - Stop Bajon | Tullio de Piscopo | ZYX | 1984 | Naples, Italy | Balearic | This dude raps Italian dialect over an organic jazzfunk groove. Italian but not Italo. Baleraric style. | "Primavera!" | Organ, rap, minimal bass, trumpet, vibes, distorted guitar | 108 | Bbm | M |
Land Of Hunger | The Earons | Island Records | 1984 | "Earon Earth" | Dubby Dub Disco | World-weariness translated into Disco. Strange mix of Wave and Dub elements. Lead vocals sound like Sting. | „...the land of plenty...“ | Echo claps, drum machine, male vocals & choir, cowbell gallop | 111 | C#m | M |
Stars | Mr. Fingers | Gherkin | 1987 | CH | Disco House / Chicago | Dreamy Disco by Chicago House Veteran Larry Heard. | - | Arpeggiator, drum machine, lead synth, bass w/ octave shifts | 118 | C#m | |
Boys (Summertime Love) | Sabrina Salerno | Teldec | 1987 | Italy | Italo Disco II | 1987's cheapo summer hit. Crappy lyrics, 80s Euro Pop sound. To be honest we just selected this song because of its music video... | "Take a chance with love romance have some fun tonight!" | Synths: bass, fanfare, guitar; female vocals, male voice (triggers) | 119 | Fm | F |
NYC Smile On Me | Aqua Regia | Irdial | 1989 | NY | Acid Disco | Minimalisitic ecstatic Acid Disco with vibes, strings and moaning... | "Oh Please, Please, Oh God! Goddamnit ... 24 Hours a Day..." | 808, strings, vibes, 303, moaning | 130 | Atonal | - |
These Sounds Fall Into My Mind | Bucketheads | UMM | 1995 | NY | House | Kenny "Dope" Gonzalez sampled Chicago's "Streetplayer" to make one of the biggest 90s-House hits. | "These Sounds fall into my maiaiaind" | Funky bass, latin percussion, 4TTF bass drum, trumpets, double-claps, male vocals | 125 | Dm | M |
Street Boys | DMX Krew | Rephlex | 1999 | LO | Euro Wave Freestyle Disco | A Disco pearl with strong british influence (Wave). Down Down Underground... | "Street Boys, got to struggle so hard." | Drum machine, open hihat, cheesy vocals, arpeggio bass, vocoder | 128 | C#m | M |
From Disco To Disco | Les Rythmes Digitales | Wall Of Sound | 1999 | PA | Digital Disco | The better "From Disco to Disco"!? Very digital and funky. Strong relation to French House. | "From Disco to Disco. WaAaAaAah!" | Cowbell, claps, open hihat, lead synth & staccato chords, male hook | 125 | C#m | M |
The Republic | Legowelt | Bunker | 2000 | Den Haag | Den Haag Disco | Dirty dutch cocaine sound - an example for the new breed of Dark Electro influenced Disco from Holland (Bunker/Creme/Clone). | - | Catchy synth bassline, cheesy synth lead, 1/16 drum machine | 128 | Bbm | - |
Jaguar (Dance Of The Cat) | DJ Rolando aka Aztec Mystic | 430 West | 2000 | DE | Trance - House | Killer Trance House anthem transporting Disco's ecstasy and glamour into a Detroit Techno context. Made for the hood. Fast! | - | 909, latin percussion, open hihat, arpeggiator, claps, strings | 137 | Dm | - |
24K (Super EP) | Morgan Geist | Environ | 2001 | NY | New Disco | Significant starting point of the NY "New Disco" fad. Mood: For Clubs with carpets on the dancefloor. | - | Cheesy synth & warm e-piano chords, disco bass, strings, zaps | 124 | Cm | - |
Harder, Better, Faster, Stronger | Daft Punk | Virgin | 2001 | PA | Synth-Pop | Retro-fetish by French House pioneers Daft Punk. The funky midtempo dance track mostly consists of a sample from "Cola Bottle Baby". Kanye West then sampled Daft Punk... | "Work it harder make it better, Do it faster makes us stronger" | Ride cymbal, vocoder, claps, synth | 123 | F#m | M |
You're So Gangsta | Chromeo | FAB / V2 | 2002 | NY | Retro Hipster Disco | Bring back the 80s. Simple and repetitive track with great lyrics. | "you're so gang- gang- gang- gang -gang -gang -gang -gang -gangster" | Cheesy synth, female hook (triggering), bongos, sax solo | 110 | Fm/D# | F |
Tunnel Music | Zongamin | XL Rec. | 2002 | LO | New New Disco | If Tom Tom Club would have made a Disco song in 2002 it would sound like this. Curious housy middle part. | - | Staccato synth lead, funky slide bass, claps, funky guitar, Disco tom | 120 | Cm | - |
Superflight (Maurice Fulton Remix) | Chateau Flight | Versatile | 2005 | Sheffld | New New New Disco | Excellent crispy beats and ecstatic xylophone. Mirror ball reflections in an empty club. | - | Slap bass, vibes, claps, synth layers & melodies, funky guitar | 114 | - | - |
Porridge Forage | Jasper | Audio Aubergine | 2007 | ? | Nerdstep | Geeky Disco with Lofi / Funk elements. | - | Vowel-synth lead, portamento bass, FM melodies & chords, lofi drums | 117 | Em | - |
Shadows | Hercules & Love Affair | DFA | 2008 | NY | New New New Old New Disco | Hercules & Love Affair seem to give Disco yet another new spin: top-notch producing skills vs. fragility. | "My heart should be a save harbour - all comfort to you" | Trumpet, female vocals, bass w/ octave shifts, piano, latin percussion | 117 | Cm | F |
Happy Joy | The Discoghosts | UpitUp Records | 2008 | Yakamoz | Sluggish | Slow Disco spoof with catchy lyrics - ladies love it. | "It's a happy happy joy time would you please be my Fräulein" | Disco guitar, slow beat, disco tom, latin percussion, warm keybpard chords, kiddy & low-pitch rap | 103 | Cm | M |
Muppet Disco
Check the symbol next to the play button (bottom left of the player) to view the full playlist of Muppet and Sesame Street disco madness.
Links
The Makers
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Guest Contributors
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Research
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Discogs |
Discomusic.com |
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